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I bought a new tool. Yes, I buy a lot of tools, and most of them end up gathering digital dust when the newness wears off. In this case, though, I think I may have stumbled upon something that not only isn’t available in any of my other tools, but goes so far beyond what I expect that it could fundamentally change how I write certain tracks. The tool is called Stepic, and it’s a … Continue reading
This is a really important track. Big thing to say, I know, but it is. Not because it’s the best composition ever, or a perfectly mixed thing, or anything like that. It’s important because this track is the exact reason I do Song-A-Day. In fact, this track is the reason I write music at all. Yesterday, I spent more time mixing and finalizing Transcendental Existentialism than planned, normal life went on, and I didn’t start … Continue reading
What a difference 24 hours can make. After deciding to post Dad, The Bringer of Age Just Kidding as my track for the 10th, I’m suddenly ahead of schedule. My new branding slogan is Tomorrow’s Music Today! In most ways, nothing is different. I still need to write a track today. I will, in all likelihood, still be up until 2 or 3 in the morning. But when I get up tomorrow, my song for … Continue reading
Pastiche. Nearly every time I’ve heard that word used in conversation or read it in an article, it’s used at least partially as a pejorative. It’s a French word, which came from the Italian pasticcio, which came from the Latin pasta. Which means “paste.” (Which makes the Italian pasta interesting, because the dough for pasta is essentially paste – just wheat flour and water – before being shaped and cooked). But in this sense, it’s … Continue reading