Cask
Snippet. Sketch. Draft. Before I started analyzing some of my favorite film soundtracks from recent years, I would have immediately categorized Cask as one of those things. Now, I hear this as a cue for a film score. Friends have often characterized my music as being visual and encouraged me to try to get into scoring work. Growing up, I listened to movie scores from John Williams, Jerry Goldsmith, Elmer Bernstein… almost all orchestral, multiple themes, big arrangements. Iconic works in most respects. And they were always what I thought of as modern “classical” music. But there was an entire … Continue reading