Treasurer, Vogonic Poetry Appreciation Society
Preface: The first part of this post is largely about my mood, being unhappy, and what I did about it. And there’s no mention of the music. The first bit is important in that it documents how I ended up with the track I did, but if you just want to read about the production process (and I wouldn’t blame you), you can skip to that section. I do think there’s value in the first … Continue reading
Well. This is it. This is the day I finally can’t do it. The day that I don’t write or post anything entirely because I have nothing in me, instead of because of some extenuating circumstance. Well, ok, that obviously didn’t happen, because there’s a post that you’re reading and a new track right below this paragraph, but it almost happened. I’m finally on schedule and have time to do something and… nothing. Well, that’s … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. This visit to the Mares is another drone. Once again, the Slate + Ash libraries are the stars here, and I began warming up a bit more to Spectres. It’s still my least favorite of their libraries, but as I poke more through the content, I’m finding usable things. In this case, the main drone … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. Since 2020, I’ve made serious investment into sample libraries. It started mostly with orchestral libraries, then started branching into hybrid orchestra or processed orchestra – the kind of stuff you’d hear in a trailer or action film. Bombastic Hans Zimmerish sounds. Speaking bluntly, I think most of this money hasn’t been a good investment. Unfortunately, … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. Last year (2023) I named most of my ambient pieces after lunar seas. It wasn’t really a planned thing – just an easy naming convention – and the definition of “ambient” certainly shifts across the six pieces, ranging from a melodic piano piece with electronic spices to full-on drones. I was initially hesitant to explore … Continue reading