No, not that Ray Toler
The last few days of Song-A-Day are always unpredictable. Sometimes I’m just dragging across the finish line with whatever fumes are left in the tank, and other times I’m rushing to get several final ideas out before the clock hits zero. This year seems more of the former than the latter. Yesterday’s track was probably the low point. When I was listening back to it today, it struck me as being on par with 90s … Continue reading
The month grows short. So has my mood. After finishing up my cover day tracks, I spent about four hours in the studio and didn’t get a single thing accomplished other than recording 8 bars and deleting them. I gave up around 11:30 and went to bed. Ok, we’re back on “normal” schedule, which for me means I’m behind. Eh, not a big deal I suppose. There are only … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. I tend to have a pretty strong self-deprecating sense of humor. I’m not sure if that’s a defense mechanism, an outgrowth of my early humility training by my parents, a natural extension of my sarcasm, or some deeper psychological thing that some therapist would like to talk to me about because they need to send … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. Back to the land of ambient techno and another chance to open that bag of tricks I’ve been wanting to try. Earlier in the month, I went all in on an Orb-style track with The Match Went Out, and had really been enjoying listening to it when the opportunity presented itself. I wanted to revisit … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. This entry to the Mare series brings back some direct, rather than implied, rythmic elements. I didn’t want to be an outright beat, but rather a soft accompaniment. It’s not compositionally complex, but I think the length of each chord keeps things moving without taking away the languid pace and space to absorb. The backing … Continue reading