Unseen Bagel

A slightly more successful Lo-Fi attempt compared to yesterday, but clearly I was in “it doesn’t have to be good, it only has to be done mode.” I shouldn’t be so down on myself for these types of tracks – there are entire genre stations on the major streaming services dedicated to exactly what you’re hearing in this track, and I’ve listened to more than a few hours of them over the last couple of years. Putting on my snarky Gen-X hat, we used to derisively call this stuff “Muzak” or “elevator music” back in the day because it was … Continue reading

Apanthropinization

This is a “throw stuff at it” seat-of-my-pants piece. I know I was initialy going for something in a very early Kraftwerk style, but it ended up being something else. Something hybrid I suppose. It feels a little more 80s than 70s. I probably tried pivoting to a Lo-Fi track at some point, but that didn’t take either. So without a strong temporal anchor and no real hook to exploit, this is more of an exploration of textures and variations. Examples are that the sharp arpeggio that shows up first is actually the same synth patch as the more “fat … Continue reading

Invisible Biscuit

I’m behind on blogging again – this post is being written on the 24th, so the next few entries will probably be a bit short. In part, this is due to the natural fading of memory, but it’s also because some of the next few days feature music where there’s really just not a lot to say about anything. Today’s track is apparently the third thing I tried to write. I opened the two aborted projects to see how I felt about them now. The first may actually have some potential, but I know I dopped it because it was … Continue reading

Predator

Yesterday’s track ultimately became a reminder of one of the most effective cards I’ve ever gotten from Brian Eno’s Oblique Strategies cards: Don’t avoid what’s easy. And in that spirit, we arrive at today’s track. Because … Continue reading

Edgar Rescues the Damsel of Garstaang Tower

Many blog posts ago, going back perhaps 15 to 20 years, I wrote about a condition I had both invented and decided I suffer from: Salieri Syndrome. I have alternatively described myself as “praying to St. Salieri.” In days past, most people would have immediately gotten the reference, but as I sat down to write this post, I now realize that it’s a reference to a 41 year old movie.1Or a 46 year old play, if you want to be pedantic. Or even more than that, as Amadeus was, itself, based on the 1830 play Mozart and Salieri by Alexander … Continue reading