Wrek tha Diskotek!
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. More Lo-Fi! I have to admit that there’s something a bit addictive/attractive with making these. A lot of the pressure in creating a “real” track1As if that were actually a thing. “Real” in this context is some stupid ideal that lives in my brain and roughly means “difficult and following some possibly obsolete ruleset while … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. I don’t have a ton to say about this one. I think it was probably started with me intending to do a Lo-Fi track, and it certainly fits the formula for one, but it seems a little too… sweet? Nice? Neither of those fit, because I’ve heard Lo-Fi that would warrant those terms. Maybe it’s … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. This is actually my second time writing this post. The first ended up being a 2,000 word rant examination of the problems I had with the massive legal overreach1and enshittification resulting thereof via forced online interaction to use the product and mandatory participation in allowing my content to by used by them for training an … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. If Give It To Me was a swing and a miss, this track turned into a triple. I’d continued to noodle with the guitar over the last three days and was looking for a way to use it again. I loaded up a rock kit in Superior Drummer 3. I’m … Continue reading
Note: This post was written in 2025 and backdated to appear on the day I wrote and published the track. This entry to the Mare series brings back some direct, rather than implied, rythmic elements. I didn’t want to be an outright beat, but rather a soft accompaniment. It’s not compositionally complex, but I think the length of each chord keeps things moving without taking away the languid pace and space to absorb. The backing … Continue reading