Integrated Circuit

If Lave Approach was one of the hardest tracks I’ve ever tried to name, this was one of the easiest. I’d been out of town for a while and was really missing my studio. When I got back and fired up the keyboards, the first patch I started messing around with was named “Integratd circut.” It’s the big fat ring-mod pad playing throughout.



Much of my recent musical output has been focused on this nebulous concept of an electronic album about our electronic world – mostly computers, software, and the benefits and pitfalls we’re up against as we adapt nearly every aspect of life. This track easily fits in. It’s been very helpful to have that guiding theme, even if the tracks bear little resemblance to each other.

While the last few have had a more analog feel, this one is unashamedly digital.

Composition (including noodling and sound selection) took place in fits and starts over a three or four day period, but I didn’t really over think it or tweak too much. After listening to it several times through, I still felt something was missing, which led to the massive boom/snap kick and snare. The kick is straight out of the Fantom with just a touch of EQ, while the snare (also from the Fantom) gets a lot of breath from Valhalla Room.

I hope it all translates to other systems as nicely as it sounds in my room with the sub. I still struggle with compression and mastering, but this one seems ok for an initial version. Gain staging continues to be extremely helpful, but I think I need to spend some hands-on time with someone who knows what they’re doing in this regard. I recently saw an interview with Vince Clarke and was surprised how he really didn’t seem to know or care all that much about the specific synths, he just knew which stuff to tweak to get the sound he wanted. I’d love to have the luxury of an engineer who could translate what I’m going for into reality.


  • MOTU Digital Performer 8 (Sequencing, EQ, compression, other effects)
  • Kurzweil K2600XS (Ring mod pad)
  • Yamaha FS1R (Gate patterned break filter swell)
  • Roland Fantom XR (Kick and Snare)
  • Spectrasonics Omnisphere (All other synths)
  • Spectrasonics Stylus RMX (Glitch loop)
  • Valhalla DSP ÜberMod and Room


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